You’ve created something really great here. I’m really a geek when it comes to certain things, like music, but not when it comes to technical stuff, even if I produce a lot of music. There must be a lot of engineering hours behind everything Goodhertz, but the result for a tech failure such as myself is something that feels musical. I’ve tried most of the plugins now, and they really inspire me in the same way an old worn out guitar or bashed out drums does. I can make music with them, rather than make mixes, and that is how I like to work with this sort of stuff.

I am currently using both Vulf Compressor and Wow on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd.

The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

I absolutely love these plugins. They’re so fun and musical to work with. I’m using them right this moment on this mix that will be the next release and there’s nothing like them. Easy to use and sounds like how it sounds in my brain.